When couples dominate a series, the dynamic is so different and engaging that you can let silly stuff slide more.
What They Say:
Five years ago, Goh, the pilot of the giant robot Dannar, rescued Anna Aoi as the monstrous Mimetic Beasts attempted to wipe human life from the planet. Now the Beasts are back, but Goh’s not going back into battle alone. Not only does his new bride-to-be Anna have a mech of her own, but their “his and her” giant robots are designed to mate together to form the ultimate in alien-smashing technology, the mighty Godannar!
Unfortunately, while they may have the perfect partnership on the battlefield, things aren’t running so smoothly on the home front and when “the other woman” from Goh’s past suddenly returns, the rifts that are opened may be wide enough to put the entire defense of mankind in jeopardy! Can an international supporting cast of the wildest giant robot pilots ever hold the line until Goh and Anna can come together in the cockpit, join interlocking parts and create the perfect marriage of man, woman and machine?
Contains episodes 1-26.
The audio transfer for this series is pretty good overall and the dub benefits from techniques used at the time. The show has the Japanese track in its original stereo form while the English language dub is in 5.1 form. The series is one that even in stereo form works very well since it uses the forwrd soundstage well with the dynamic action effects and dialogue being brash and loud where appropriate. The 5.1 mix reworks the action well and gives it more impact and the characters have an even larger than life feeling here. What helps is that with many scenes where the pairings are together and working in concert, their scenes were dubbed with them in the booth with each other for the most part and that allowed it to flow better and feel tighter. The show holds up well with its dub and the original Japanese track is solid, both of which had no problems with dropouts or distortions during regular playback.
Originally airing in 2003, the transfer for this series is presented in its original aspect ratio of 1.78:1 and is enhanced for anamorphic playback. The twenty-six episodes are spread across five discs with five episodes on each while the fifth one has six. With the color palette used for this series and the high frenetic energy and action of most of the scenes, the transfer here comes across practically sparkling. The colors are bright and vibrant throughout and maintain a really great solid level. The blues in particular are gorgeous in a lot of sequences when there is both water and sky in the same shot. The print looks to be free of problems as there wasn’t any visible cross coloration or serious aliasing going on. In the end, this was just a lot of fun to watch and admire.
While I love the packaging from the previous seven volume run, there’s something alluring about getting all of it in one regular sized keepcase here. The front cover is dark in the background but has plenty of fanservice here as we get the characters of Anna and her mother as well as Lou, all of which are showing skin or breasts in their own way. It’s not exactly the best character artwork, especially when you see some of the pairings in the menus, and I think it would benefit more from a brighter sky blue backgrounds. But it sells the fanservice here and it does it well. The back cover is more traditional as we get a black background with some giant robot action to the right. The black and white sections of the cover gives us a good look at the series premier and the extensive extras that are included. A nice array of shots provides even more fanservice and a touch of action and we get a solid block of production credits as well. Add in the technical grid and you have a good looking package here overall.
What’s surprising but welcome here is that we get a thick full color booklet that’s chock full of the original interviews done years ago with the various members of the production. There’s a lot of material to sift through that’s fun to read as those involved talk about what it was like on the show and its meanings. We also get a number of very appealing full color two page spread pieces of artwork that’s full of fanservice, almost all of which would have made a better front cover for the main package.
The menu design for this release works very well overall even if goes with a simple design that’s reused across each disc. The layout is straightforward as we get the navigation along the right with the breakdown by episode number and title with it done with in-theme designs as the first season uses a blue blocking and the second season uses red, which is interesting when they’re on the same disc. The left side has the logo sideways in the background with some white while in front of it we get different character pairings for each volume. It kicks off with Goh and Anna, as it should, and there’s a good bit of sexuality to it that works nicely as it spreads into the other pairings. Submenus load quickly and navigation is easy, though it defaults to English language even though I have player presets setup here.
The extras for this release are copious and plentiful, using what we had seen before in the original release. A lot of it is various types of profile pages that are spread across it all, such as characters, mechanical, and so forth. Key words is what you’d expect as a glossary, we get some good “case files” material that’s fun to read about the missions and there’s even a swimsuit gallery that I still feel guilty about enjoying. Add in the usual with the clean opening and closing sequences, the on-air versions and other little bits such as commercials and the like and there’s a lot to sink you teeth into with each volume.
Content: (please note that content portions of a review may contain spoilers)
Originally broadcast back in the fall of 2003, Godannar was one of those series that ADV Films picked up that just fit them to a T. The series, and original work for AIC, took the fun of 70’s giant robot action shows and pretty much married it to the world of fanservice and character. I’m still not a huge fan of the 70’s robot material from the time, though I can appreciate it, but Godannar was the kind of show that won me over because it didn’t take itself too seriously for the most part and just had a grand sense of fun and adventure about it as it wanted to tell a story. A story about the characters, really, and less about the invading aliens and what it all means. Hell, there isn’t even really a central villain for all of it and just the occasional monster of the week with a growing subplot along the way that involves a great twist for how the aliens could have won even in defeat.
Godannar provides us with a bit of a history lesson at first as we see in 2042 about the world being accosted by creatures called Mimetic Beasts. These things had seemingly lived underground for longer than anyone can guess but suddenly raised up and started wreaking havoc on the world. The world united to fight off this terror that destroyed cities without almost no warning by coming up with a creative design in the robots that we see called Dannar’s. Using the design of having the two robots combine into one and the pilots shift into the same cockpit to work together, it fostered the idea of couples being pilots. We see some of the battles that were focused around Japan and with a young man named Goh who is considered one of the best. While the beasts were defeated, Goh lost his wife in battle and never took on another partner.
So now in 2047, the two are getting (almost but not quite completely) married and the secret event goes badly when some Mimetic Beasts attack using the shell of one of Goh’s former friends Dannars’. While he races off to help even though he’s just backup at this point since he has no partner, the disturbance reaches the cliffs where the church and cemetery are and it unearths Okusaer, a female robot that combines perfect with Goh’s Godannar. Though Goh is unsure of what’s happening at first, Anna’s ease and familiarity with robots makes her an ideal candidate to use the Okusaer and she’s able to provide Goh the help he needs in defeating the beast that’s quickly taking down all of the teams Dannars. And even though she didn’t come out of the event unscathed she’s still very much interested in becoming a pilot, something that Goh is obviously against.
The series hits some expected notes throughout the first half as you’d expect for something like this. Anna goes through a series of training routines in which she ends up proving that she’s better than anyone else there, which of course her mother just nods sagely about with a certain smile, while Goh is convinced that he won’t let her ever pilot that Okusaer ever again. Along the way we get to see the surprisingly large cast that’s here, from other pilots – one of whom who has strong feelings for Goh and is shocked by his surprise wedding – to a very amusing and fun maintenance crew that reminded me of the ones from Patlabor. The command structure isn’t fleshed out much but we get a lot of interesting material and subplot ideas from Kiriko as she seems to be manipulating things in an interesting way based on what she finds during the first episode.
The series can play with some pretty standard fare here, but it throws some nice twists into it. Early on, when the pair are dealing with a Mimetic Beast, they end up discovering encased inside of it was Goh’s former girlfriend that died during the fight five years prior. While she can be revived, Mira is basically a child at this point with no memories of before. That’s an absolutely haunting thing for Goh to deal with and it’s near impossible for him to lean on Anna for support, though she tries to offer it to him. She’s intent on making sure he understands that she does understand and she even takes Anna in to live with her and Goh, who also have Goh’s younger brother living there with them on the base. Mira’s involvement is long and convoluted, and for a reason in the end, but it adds a lot of tension to the relationship at times since there’s uncertainty, especially in what’s really a new marriage/coupling.
As said earlier, the show isn’t quite about the Mimetic Beasts in a way, though they show up often and cause trouble between the physical attacks, the strain of training to fight them and some of the damage wrought. As well as that whole twist along the way. Because of the various Dannar bases out there, we get an array of other pairings that are all pretty diverse and they do get some standalone episodes to highlight their personalities, and they do mostly all come together at the end as you’d expect. The Dragliner one is the one I liked the most, but they are sadly mostly forgettable overall. More memorable are the support team at the main Dannar base the show operates out of as there’s a lot of couples and near-couples in the mix that keeps it lively and fun and makes it feel like the mechanics and more are truly a part of the team and show rather than just casual characters.
There is a lot of really interesting material here that managed to suck me in over the course of it. One is that they go with the obvious idea of there being no world armies anymore but rather a series of Dannar bases around the globe that will respond at a moments notice. We get see these come into play as English, American and Russian Dannar’s arrive during one of the emergencies and their differences are fun to check out. Even more interesting is that the expected rivalries really don’t surface. There’s some tension with one of the younger pilots but the usual bravado simply isn’t there. This isn’t treated like a lot of other events would be by these people. Maybe it’s the incredibly slinky costumes they wear…
The idea of having the pairs work together isn’t new but it’s really nicely executed here as we see the various types that are doing it. Some seem to be friends, others are related by blood, some are married but all of them have a connection with each other that allows them to place faith and trust in the other in the crunch time. Through the actions of the first episode we see that a Dannar by itself is effective but it’s much more so when there are two working in tandem or in combination form. Surprisingly, the designs of the robots didn’t bother me much either as they did in a few other recent shows. The combination maneuvers and the animation associated with it of course shows up every now and then but that’s a staple of this particular genre.
What was the best though and a very welcome change is that the lead couple is just that, a couple. They have some issues to work through at first as she wants to help fight against the Mimetic Beasts and he for obvious reasons wants her nowhere near any sort of fight. They both have to learn something about each other through this, him more so than her, as she’s the type that can’t walk away from a fight or from defending those who cannot fight for themselves. As a married couple though, that relationship just changes the dynamic entirely in how the rest of the characters deal with them and how they deal with each other. So much of a show would be based on the tension of will they or won’t they that by skipping it entirely and going right to this angle it provides something new and interesting. If there was any real disappointment in it is that they avoided giving the feeling that the pair ever consumated their relationship, which is why some of the tensions and worries feel more forced in some ways. I can understand it to some degree with Anna being in her final year of school and all, and supposed Japanese sensibilities, but it just feels off. Well, mostly, as it’s easy to see Goh as not being an aggressive type in really going after Anna.
The age difference as well gives it something to work through at some point. In addition to the points above, the other thing that got me is that Anna Aoi really managed to win me over with her character in total. From the acting to the designs to the way the character is scripted, it all just worked perfectly for me. She provides great fanservice, has the right attitude, doesn’t take crap and stands up to her husband when he’s in the wrong. Even better, she kicks off her training by wearing an outfit that’s strikingly similar to the ones worn in Gunbuster which only made me enjoy that entire segment even more. While I am very much enjoying the couple aspect of the show, she’s definitely the star to me in this series, especially with how she struggles so often to do the right thing even though it’ll hurt her in the end, because it’s for the betterment of someone else.
It’s been years and years since I last saw this series – across seven individual volumes – so marathoning it is definitely a very different experience. And a good one at that, though the fanservice starts to wash over you after awhile instead of just savoring. Godannar features a really good story overall, some great characters, very well done voice acting in both languages and some sweet, sweet, fanservice laden animation and character designs. The show doesn’t truly try to go big in a way because of how the villains operate, so it’s more about the cast themselves. There are drawbacks along the way and a few cringe worthy moments, but for the most part it’s a pretty engaging series that does a whole lot right. It’s definitely a show I’m glad to see back in circulation and Sentai Filmworks did a solid job of giving it a new lease on life. Now, about a Blu-ray edition…
Japanese 2.0 Language, English 5.1 Language, English Subtitles, Character Profiles, Mechanical Profiles, Godannar Key Words & Case Files, Production Sketches (Video), Moriloto & Hayashi Special Report, The Seven Mysteries!, Recording the Songs (Video), Swimsuit Gallery, Japanese Commercial Collection, Clean Opening Animation, Clean Closing Animation
Content Grade: A-
Audio Grade: A-
Video Grade: A-
Packaging Grade: B+
Menu Grade: B+
Extras Grade: A-
Released By: Sentai Filmworks
Release Date: October 1st, 2013
Running Time: 650 Minutes
Video Encoding: 480i/p MPEG-2
Aspect Ratio: 1.78:1 Anamorphic Widescreen
Sony KDL70R550A 70″ LED 1080P 3D HDTV, Sony PlayStation 3 via HDMI set to 1080p, Onkyo TX-SR605 Receiver and Panasonic SB-TP20S Multi-Channel Speaker System With 100-Watt Subwoofer.